British Invasion Radio Playlist Part II (20 Songs)

British Invasion is your time capsule into the swinging '60s when artists from all of the UK brought raw rock 'n' roll, beat and pop music to the rest of the globe. Are you a mod or a rocker?
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    British Invasion Radio Playlist Part I (20 Songs)

    British Invasion is your time capsule into the swinging '60s when artists from all of the UK brought raw rock 'n' roll, beat and pop music to the rest of the globe. Are you a mod or a rocker?
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      The Zombies - Time of the Season (1968)

      "Time of the Season" is a song by the British rock band The Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboard player Rod Argent and recorded at Abbey Road Studios in August 1967.

      The Zombies - Time of the Season (1968)
      Several other songs from Odessey and Oracle were released as singles prior to "Time of the Season". Columbia Records supported the album and its singles at the urging of new A&R representative Al Kooper. One of the singles issued on Columbia's Date label was the non-commercial-sounding "Butcher's Tale", which Columbia thought might catch on as an anti-war statement, at the time a popular trend. "Time of the Season" was only released at Kooper's urging, initially coupled with its original UK B-side, "I'll Call You Mine", without success. After previous singles flopped, Date re-released "Time of the Season" backed with another UK flop single, "Friends of Mine", and it made its breakthrough in early 1969, over a year after the band split up. It reached number 3 on the Billboard Hot 100 in March, topped the Cashbox chart, and reached number 1 in Canada. It did not chart in the band's native Britain, despite being rereleased twice, but it later found success there with Rod Argent saying that it became "a classic in the UK, but it's never been a hit." In mid-1969, it peaked at number 2 on the South African hit parade.



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      Similar Tracks

      Friends of Mine by The Zombies
      Care of Cell 44 by The Zombies
      Long Cool Woman (in a Black Dress) by The Hollies
      For What It's Worth by Buffalo Springfield

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      Etta James - I'd Rather Go Blind (blues and soul classic 1968)


      "I'd Rather Go Blind" is a blues song written by Ellington Jordan and co-credited to Billy Foster. It was first recorded by Etta James in 1967, released in 1968, and has subsequently become regarded as a blues and soul classic.

      Etta James - I'd Rather Go Blind (blues and soul classic 1968)
      Etta James wrote in her autobiography Rage To Survive that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison. She then wrote the rest of the song with Jordan, but for tax reasons gave her songwriting credit to her partner at the time, Billy Foster, singer with doo-wop group The Medallions.

      Etta James recorded the song at the FAME Studios in Muscle Shoals, Alabama. It was included on the album Tell Mama and as the B-side of the single of the same name which made number 10 on the Billboard R&B charts, and number 23 on the Billboard Hot 100. The song is also on the 1978 Jerry Wexler-produced album Deep in the Night, but there it is titled "Blind Girl" (track 10). Some critics have regarded "I'd Rather Go Blind" as of such emotional and poetic quality that it makes that release one of the great double-sided singles of the period. Critic Dave Marsh put the song in his book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made (number 429).




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      Andrew Gold - Singer biography

      Best remembered for his mid-'70s smashes "Lonely Boy" and "Thank You for Being a Friend," pop singer/songwriter Andrew Gold was born in Burbank, California on August 2, 1951. The son of composer Ernest Gold (who won an Academy Award for his score to the film Exodus) and vocalist Marni Nixon (the singing voice of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady), he first attracted attention as a member of the Los Angeles band Bryndle alongside Kenny Edwards, Wendy Waldman, and Karla Bonoff; in 1973, both Gold and Edwards joined Linda Ronstadt, appearing on classic albums including 1974's Heart Like a Wheel and 1975's Prisoner in Disguise. A noted arranger as well as a skilled multi-instrumentalist, Gold swiftly emerged as one of the most sought-after session musicians on the West Coast scene, and his résumé -- including dates with James Taylor, Carly Simon, Loudon Wainwright III, and J.D. Souther -- reads like a who's-who of the singer/songwriter movement.

      In 1975, Gold released his self-titled solo debut; its follow-up, What's Wrong with This Picture?, was his commercial breakthrough, notching an international hit with "Lonely Boy." "Never Let Her Slip Away, " from 1978's All This and Heaven Too, also reached the British Top Five, but the album's most enduring moment remains "Thank You for Being a Friend, " the blockbuster ballad later remade as the theme song for the hit sitcom The Golden Girls. However, 1980's Whirlwind stiffed, and Gold was cut loose from his contract with Asylum. After spending the early part of the decade touring with Ronstadt, he teamed with 10cc alumnus Graham Gouldman to form Common Knowledge, recording a self-titled LP in 1984. Gold and Goldman then rechristened their duo project Wax UK, notching a minor hit in 1986 with "Right Between the Eyes." "Bridge to Your Heart" was a British smash in 1987, but after 1989's A Hundred Thousand in Fresh Notes, Wax UK disbanded.

      Returning to his solo career in 1991, Gold issued his first effort in over a decade, Home Is Where the Heart Is, before immersing himself in production work for artists ranging from Nicolette Larsen to Stephen Bishop to Eikichi Yazawa. In 1995, he reunited with Bonoff, Edwards, and Waldman in a new incarnation of Bryndle, releasing an eponymous LP before Gold's move to Connecticut forced him to leave the group soon after. 1996 saw the release of a new solo effort, ...Since 1951, as well as Halloween Howls, a record for children. Leftovers, a collection of unreleased material, followed in 1998. After producing country singer Lisa Angelle's self-titled debut in 2000, Gold released his own collection of country songs, The Spence Manor Suite. 2003's Wax Bikini collected rare material from Gold's days in Wax, and in 2005, Collectors' Choice Music reissued his first four solo albums with bonus tracks. The 2008 album Copy Cat was a new recording but heavy on covers (especially Lennon/McCartney). Copy Cat would be the last solo album released during his lifetime. After battling cancer. Andrew Gold died in his sleep at his home in Encino, California on June 3, 2011. He was 59 years old.

      Herman's Hermits - There's A Kind Of Hush (1967)

      Herman's Hermits - There's A Kind Of Hush (1967)

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      "There's a Kind of Hush" is a popular song written by Les Reed and Geoff Stephens which was a hit in 1967 for Herman's Hermits and again in 1976 for The Carpenters.

      The song was introduced on the 1966 album Winchester Cathedral by Geoff Stephens' group the New Vaudeville Band; like that group's hit "Winchester Cathedral", "There's a Kind of Hush" was conceived as a neo-British music hall number although it is a less overt proponent of that style. The first single version of "There's a Kind of Hush" was recorded in 1966 by Gary and the Hornets, a teen/pre-teen male band from Franklin, Ohio whose version—entitled "A Kind of Hush" produced by Lou Reizner—became a regional success and showed signs of breaking nationally in January 1967; the single would reach No. 4 in Cincinnati and No. 3 in Erie PA. However an expedient cover by Herman's Hermits was released in the US in February 1967 to reach the Top 30 of the Billboard Hot 100 in three weeks and proceed to a peak of #4—affording the group their final US Top Ten hit—with Gold certification for US sales of one million units awarded that April. In the UK Herman's Hermits' "There's a Kind of Hush" would reach No. 7. The success of the Herman's Hermits version led to the release of the original New Vaudeville Band track as a single in some territories with both of these versions charting in Australia with peaks of No. 5 (Herman's Hermits) and No. 12 (New Vaudeville Band) and also in South Africa where the New Vaudeville Band bested the Herman's Hermits' No. 9 peak by reaching No. 4.

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      Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (1967)

      Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (1967)



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      "(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song, originally performed and made a Top 10 Pop, #1 R&B hit by Jackie Wilson in 1967.

      As the song was originally used as a backing track for Wilson to use later, it was recorded on July 6, 1967, at Columbia's studios in Chicago. Produced by Carl Davis, the session, arranged by Sonny Sanders, featured bassist James Jamerson, drummer Richard "Pistol" Allen, guitarist Robert White, and keyboardist Johnny Griffith; these four musicians were all members of the Motown Records house band The Funk Brothers who often moonlighted on sessions for Davis to augment the wages paid by Motown.

      Released in August 1967, the song reached No. 1 in the US Billboard R&B chart and, in November, peaked on the Billboard Hot 100 at No. 6. In the UK Singles Chart, Wilson's version was a hit in 1969 (No. 11), 1975 (No. 25), and 1987 (No. 15).

      Brunswick Records then released an album titled Higher and Higher in November 1967. Its chart peak was No. 163 (Billboard 200) and No. 28 (Billboard R&B Albums chart.)

      The track was ranked No. 246 on Rolling Stone's list of The 500 Greatest Songs of All Time, and was inducted into the Grammy Hall of Fame in 1999.

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