Showing posts with label '70s #1 Hits. Show all posts
Showing posts with label '70s #1 Hits. Show all posts

Jeanette - Porque Te Vas (1976)

Jeanette - Porque Te Vas on Serie 3x4 (Karina, Massiel, Jeanette)


"Porque te vas" (Because you are leaving) is a song performed by the singer Jeanette written by José Luis Perales and remained relatively unknown at the start of 1974. Only when the song was used in Carlos Saura's 1976 film Cría Cuervos (Raising Crows), and the film went on to be honored at the Cannes Film Festival (Jury grand prize) and the Berlin Film Festival (Jury special prize), did the song become internationally known and a hit.



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In Austria it reached number 13, in Switzerland number 4, and in Germany it even reached number 1. Although after "Porque te vas" Jeanette never achieved similar international success, she continued singing relatively successfully in Spain and Latin America, and to a lesser degree in France, well into the 1990s.

In 1978 the Brazilian singer Lilian Knapp recorded a Portuguese version of the song titled "Eu sem você" (B-side of another version of a Jeanette song, Soy Rebelde). The song was covered in 1996 by the Brazilian pop-rock band Pato Fu (album "Tem mas acabou"), and in 1997 by Mexican female group "Aurora y la Academia". Also José Luis Perales, author of "Porque te vas", recorded the song featuring Amaia Montero from Spanish group La Oreja de Van Gogh In 2006 by the duo Los Super Elegantes (aka Milena Muzquiz and Martiniano Lopez Crozet). The song which is on the album "Channelizing Paradise" also has an English version done as part of the track.

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Luther Ingram - (If Loving You Is Wrong) I Don't Want To Be Right (1972)

Luther Ingram - (If Loving You Is Wrong) I Don't Want To Be Right (1972)

"(If Loving You Is Wrong) I Don't Want to Be Right" is a song written by Stax Records songwriters Homer Banks, Carl Hampton and Raymond Jackson. Originally written for The Emotions, it has been performed by many singers, most notably by Luther Ingram, whose original recorded version topped the R&B chart for four weeks and rose to number three on the Billboard Hot 100 chart in 1972. Billboard ranked it as the No. 16 song for 1972.



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Gallery - Nice To Be With You (1972)

Gallery - Nice To Be With You on Nice To Be With You
"Nice To Be With You" is a 1972 song written by Jim Gold and performed by American soft rock band Gallery. It became an international Top 5 hit, reaching #4 on the U.S. Billboard Hot 100 and #1 on the U.S. Cash Box Top 100. It also reached #1 in Canada. The song reached #4 in Australia and #2 in New Zealand. It became a gold record.



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Jackson Browne - Doctor My Eyes (1972)

Jackson Browne - Doctor My Eyes on Jackson Browne (Saturate Before Using)
"Doctor, My Eyes" is a 1972 song written and performed by Jackson Browne and included on his debut album Jackson Browne. Featuring a combination of an upbeat piano riff coupled, somewhat ironically, with lyric about feeling world-weary, the song was a surprise hit, reaching #8 on the Billboard Hot 100 in spring 1972, after debuting on the chart at #80. Browne would not see the chart's Top 10 again until 1982's soundtrack hit "Somebody's Baby", although "Running on Empty" just missed the Top 10, reaching #11. Billboard ranked "Doctor My Eyes" as the No. 92 song for 1972. In Canada, the song peaked at number four.



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Elvis Presley - Burning Love (1972)

Elvis Presley - Burning Love on The 50 Greatest Hits
"Burning Love" is a song written by Dennis Linde and originally recorded by country soul artist Arthur Alexander, who included it on his 1972 self-titled album. It was soon covered and brought to fame by Elvis Presley, becoming his biggest hit single in the United States since "Suspicious Minds" in 1969 and his last Top 10 hit in the American Hot 100 or pop charts.



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Paul Simon - Mother And Child Reunion on The Essential Paul Simon (1972)

Paul Simon - Mother And Child Reunion
"Mother and Child Reunion" is a song by the American singer-songwriter Paul Simon. It was the lead single from his second self-titled studio album (1972), released on Columbia Records. It was released as a single on February 5, 1972, reaching No. 1 in South Africa and No. 4 on the US Billboard Hot 100 chart. Billboard ranked it as the No. 57 song for 1972. It was one of the earliest songs by a white musician to feature prominent elements of reggae.



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Gilbert O'Sullivan - Alone Again (Naturally) on Alone Again (1972)

Gilbert O'Sullivan - Alone Again (Naturally)
"Alone Again (Naturally)" is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as (but not on) the album, Back to Front. In total, the single spent six weeks, non-consecutively, at #1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972. In Casey Kasem's American Top 40 of the 1970s, "Alone Again (Naturally)" ranked as the fifth most-popular song of the decade (Debby Boone's "You Light Up My Life" was #1). "Alone Again (Naturally)" also spent six weeks at number one on the Easy Listening chart. The track reached #3 in the UK Singles Chart.



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The Main Ingredient - Everybody Plays The Fool on A Quiet Storm (1972)

The Main Ingredient - Everybody Plays The Fool
"Everybody Plays the Fool" is the title of a popular song written by J.R. Bailey, Rudy Clark and Ken Williams. The song was nominated for a Grammy Award in the category Best R&B Song at the 1973 ceremony.

The first recording of the song to reach the Top 40 in the United States was by the R&B group The Main Ingredient, a trio consisting at the time of Cuba Gooding, Sr., Tony Silvester and Luther Simmons, Jr. Their version of "Everybody Plays the Fool" rose to No. 3 on the Billboard Hot 100 chart in the fall of 1972, and was certified gold by the RIAA. This version also peaked at No. 2 on the Billboard R&B chart and at No. 25 on the Billboard adult contemporary chart. It was the group's highest charting hit single.



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Creedence Clearwater Revival - Run Through The Jungle on Chronicle (1970)

Creedence Clearwater Revival - Run Through The Jungle
"Run Through the Jungle" is a 1970 rock song recorded by California-based band Creedence Clearwater Revival.

The song was written by Creedence's lead singer, guitarist and songwriter, John Fogerty. It was included on their 1970 album Cosmo's Factory, the group's fifth album. The song's title and lyrics, as well as the year it was released (1970), have led many to assume that the song is about the Vietnam War. The fact that previous Creedence Clearwater Revival songs such as "Fortunate Son" were protests of the Vietnam War added to this belief.



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However, in a 2016 interview, Fogerty explained that the song is actually about the proliferation of guns in the United States.

"The thing I wanted to talk about was gun control and the proliferation of guns... I remember reading around that time that there was one gun for every man, woman and child in America, which I found staggering. So somewhere in the song, I think I said, '200 million guns are loaded.' Not that anyone else has the answer, but I did not have the answer to the question; I just had the question. I just thought it was disturbing that it was such a jungle for our citizens just to walk around in our own country at least having to be aware that there are so many private guns owned by some responsible and maybe many irresponsible people."

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Mac & Katie Kissoon - Chirpy Chirpy Cheep Cheep on The Two Of Us (Best Of) (1971)

Mac & Katie Kissoon - Chirpy Chirpy Cheep Cheep - WLCY Radio Hits
"Chirpy Chirpy Cheep Cheep" is a song recorded in early 1971 by its composer Lally Stott, and made popular later that year by Scottish band Middle of the Road for whom it was a UK number one chart hit. That version is one of the fewer than forty all-time singles to have sold in excess of 10 million physical copies worldwide.



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The original recording by its composer Lally Stott, was a hit in France (Top 15), a minor hit in Italy, Australia and in the United States. Stott's record company, Philips, was reluctant to release the song overseas, and apparently offered it to two other groups: Scottish folk-pop group Middle of the Road, who were working in Italy at the time, and Mac and Katie Kissoon. While it is unclear which group Stott offered his song to first, Mac and Katie Kissoon produced their cover version first. Middle of the Road's version then initially became a hit in Continental Europe only, but later grew in popularity in the United Kingdom, reportedly via DJ Tony Blackburn favoring this version over the previously-produced version by Mac and Katie Kissoon. However, Middle of the Road's version didn't even chart on the United States Billboard Hot 100, and nearly flopped in the UK also, because it followed the Kissoon's previously-produced version. Middle of the Road's version eventually reached #1 in the UK and stayed there for five weeks in June 1971, while the Kissoons' version only reached #41. In the USA the Kissoon's version was a greater success, reaching #20 on the Billboard Hot 100, while Lally Stott's original version reached #92.

The song was dismissed by critics as bubblegum at the time, a view initially held by band leader Ken Andrews: "We were as disgusted with the thought of recording it as most people were at the thought of buying it. But at the end of the day, we liked it.

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Bee Gees - Lonely Days on 2 Years On (1971)

Bee Gees - Lonely Days on 2 Years On
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts.

On Friday, 21 August 1970, the three Gibb brothers announced they would reunite and start recording together, nearly 16 months after Robin quit the group. They said later that they wrote "Lonely Days" and "How Can You Mend a Broken Heart" at their first reunion session, but the exact day when they recorded the song is unknown. However, a tape of stereo mixes received at Atlantic in October bears the tantalizing notation "August 20, 1970" which, if true, means the brothers announced the reunion the day after it happened. According to Robin Gibb in a 2001 Billboard interview with the Bee Gees, "That was written on Addison Road in Holland Park in London, in the basement of Barry's place".



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Five Man Electrical Band - Signs on Barry Williams Presents: 70s Music Explosion (1971)

Five Man Electrical Band - Signs
"Signs" is a song by the Canadian rock group Five Man Electrical Band. It was written by Les Emmerson and popularized the relatively unknown band, who recorded it for their second album, Good-byes and Butterflies, in 1970. "Signs" was originally released that year as the B-side to the relatively unsuccessful single "Hello Melinda Goodbye" (#55 Canada).

Re-released in 1971 as the A-side, "Signs" reached No. 4 in Canada and No. 3 on the US Billboard Hot 100 chart. Billboard ranked it as the No. 24 song for 1971. It became a gold record.



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The Partridge Family - I Woke Up In Love This Morning (1971)

The Partridge Family - I Woke Up In Love This Morning (1971)
"I Woke Up in Love This Morning" is a song written by L. Russell Brown and Irwin Levine and recorded by The Partridge Family for their 1971 album, Sound Magazine. The song went to number 13 on the Billboard Hot 100 in 1971.



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Cornelius Brothers & Sister Rose - Treat Her Like A Lady on Anchorman: Music From The Motion Picture (1971)

Cornelius Brothers & Sister Rose - Treat Her Like A Lady
"Treat Her Like a Lady" is a 1971 single by Cornelius Brothers & Sister Rose. Written by Eddie Cornelius, it was a big success in the American R&B and pop charts reaching the U.S. R&B Top 20 and the Billboard Hot 100 No. 3 in July. The song also charted in Canada, reaching No. 10.

Billboard ranked "Treat Her Like a Lady" as the No. 15 song for 1971. The record was awarded a gold disc on 2 August 1971 for one million sales by the Recording Industry Association of America (RIAA).



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Carpenters - Rainy Days And Mondays on Carpenters (1971)

Carpenters - Rainy Days And Mondays on Carpenters (1971)
"Rainy Days and Mondays" is a 1971 song by The Carpenters, with instrumental backing by L.A. session musicians from the Wrecking Crew, that went to number 2 on the Billboard Hot 100 chart and it was the duo's fourth number 1 song on the Adult Contemporary singles chart. However, the song failed to chart in the United Kingdom until it went to number 63 in a reissue there in 1993. "Rainy Days and Mondays" was certified Gold by the RIAA.

The song was composed in 1971 by the then-fairly unknown composers Roger Nichols and Paul Williams. It was released as the first track on the album Carpenters, popularly known as the Tan Album, and the B-side on the single is "Saturday", written and sung by Richard Carpenter.



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Carly Simon - That's The Way I've Always Heard It Should Be on The Best Of Carly Simon (1971)

Carly Simon - That's The Way I've Always Heard It Should Be on The Best Of Carly Simon (1971)
"That's the Way I've Always Heard It Should Be" is a 1971 song performed by Carly Simon. Her friend and frequent collaborator Jacob Brackman wrote the lyrics and Simon wrote the music. The song was released as the lead single from her self-titled debut album, Carly Simon, and it reached peak positions of number 10 on the Billboard Hot 100 chart and 6 on the Billboard Adult Contemporary chart.

The success of the song propelled Simon into the limelight. Apart from being a Top 10 hit, Simon also received her first Grammy Award nomination for Best Female Pop Vocal Performance. She also was nominated for and won Best New Artist.



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The Temptations - Just My Imagination (Running Away With Me) on Anthology (1971)

"Just My Imagination (Running Away with Me)" is a song by American soul group The Temptations. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 27 to April 10. "Just My Imagination" also held the number-one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.



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Ringo Starr - It Don't Come Easy on Ringo (1971)

Ringo Starr - It Don't Come Easy on Ringo (1971)
"It Don't Come Easy" is a song by Ringo Starr released as an Apple Records single in April 1971, reaching number 1 in Canada and number 4 in both the US and UK singles charts. It was Starr's first solo single in the UK, but his second in the US (the first was "Beaucoups of Blues"), following the break-up of the Beatles.



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"It Don't Come Easy", backed with "Early 1970", was released on 9 April 1971 in the UK, and a week later, on 16 April in the US. In a contemporary review, in the NME, Alan Smith described the song as "undoubtedly one of the best, thumpin'est things the Starr man has ever done" and added: "That's a very strong hook he's got there, and George Harrison has given the record a fat, pumping backing full of guts and stuff." Smith criticised Starr's vocal on the track, however, before concluding: "But on the credit side we have an inventive mind and a dry wit coming more and more into play with better songs. One day he may even write a masterpiece." Billboard's reviewer admired the single as Starr's "most commercial solo effort" yet and predicted: "Potent Top 40 rock material and vocal workout has it to take him all the way." The single peaked at number 4 on the US Billboard Hot 100 chart. It also reached the fourth spot on the UK singles chart. The single beat the sales of Starr's fellow former-Beatles' singles at the time: John Lennon's "Power to the People", Paul McCartney's "Another Day" and Harrison's "Bangla Desh".

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Gladys Knight & The Pips - If I Were Your Woman on The Ultimate Collection (1971)

Gladys Knight & The Pips - If I Were Your Woman
"If I Were Your Woman" is a song recorded by Gladys Knight & the Pips. The song was written by Pam Sawyer, Clay McMurray, and Gloria Jones and it was produced by McMurray and arranged by David Van De Pitte. Released in late 1970 from the album of the same title, it spent one week at number-one on the Best Selling Soul Singles chart in January 1971. It was also successful on the Billboard Hot 100 singles chart, peaking at #9.



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