Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Jeanette - Porque Te Vas (1976)

Jeanette - Porque Te Vas on Serie 3x4 (Karina, Massiel, Jeanette)


"Porque te vas" (Because you are leaving) is a song performed by the singer Jeanette written by José Luis Perales and remained relatively unknown at the start of 1974. Only when the song was used in Carlos Saura's 1976 film Cría Cuervos (Raising Crows), and the film went on to be honored at the Cannes Film Festival (Jury grand prize) and the Berlin Film Festival (Jury special prize), did the song become internationally known and a hit.



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In Austria it reached number 13, in Switzerland number 4, and in Germany it even reached number 1. Although after "Porque te vas" Jeanette never achieved similar international success, she continued singing relatively successfully in Spain and Latin America, and to a lesser degree in France, well into the 1990s.

In 1978 the Brazilian singer Lilian Knapp recorded a Portuguese version of the song titled "Eu sem você" (B-side of another version of a Jeanette song, Soy Rebelde). The song was covered in 1996 by the Brazilian pop-rock band Pato Fu (album "Tem mas acabou"), and in 1997 by Mexican female group "Aurora y la Academia". Also José Luis Perales, author of "Porque te vas", recorded the song featuring Amaia Montero from Spanish group La Oreja de Van Gogh In 2006 by the duo Los Super Elegantes (aka Milena Muzquiz and Martiniano Lopez Crozet). The song which is on the album "Channelizing Paradise" also has an English version done as part of the track.

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Silver Convention - Get Up and Boogie (That's Right) from the album Silver Convention (1976)

Silver Convention - Get Up and Boogie (That's Right) from the album Silver Convention (1976)



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"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album Get Up and Boogie (also titled Silver Convention in some countries) in 1976.

Just like their previous 1975 hit single "Fly, Robin, Fly", "Get Up and Boogie" consists of six words repeated throughout the song: "Get up and boogie! That's right!".

"Get Up and Boogie" hit number one on June 15, 1976 in Canada, and reached #2 on the U.S. Billboard Hot 100. Billboard ranked it as the #24 song for 1976. "Get Up and Boogie" also became a hit during the late-1970s disco scene.

Burton Cummings - Stand Tall On Burton Cummings Album (1976)

Burton Cummings - Stand Tall On Burton Cummings Album (1976)
"Stand Tall" is the title of an international hit single by Burton Cummings, taken from his eponymous debut album. The recording was issued as the album's lead single in the fall of 1976, spending 21 weeks on the U.S. Billboard Hot 100 and reaching number 10. The song reached number five on the U.S. Cash Box Top 100, and spent four weeks at number four in Canada. The song became a Gold record.

"Stand Tall" was an even big Adult Contemporary hit, reaching number two in the U.S. and spending one week at number one in Canada. It was kept from the number-one position on that chart by the Captain and Tennille's hit, "Muskrat Love."

The song was released less than two years after "Dancin' Fool," the final hit single by the group for which Cummings had been lead singer, The Guess Who.



Kiss - Beth - On Destroyer (Remastered) Album (1976)

Kiss - Beth - On Destroyer (Remastered) Album (1976)
'70s Lite Rock on WLCY Radio




"Beth" is a ballad by Kiss, originally released on their 1976 album, Destroyer. To date, it is their highest-charting single in the US, reaching #7 on Billboard's Hot 100 chart. It is one of only two gold selling singles for the band (the other being 1979's "I Was Made for Lovin' You"), and their first of two Top Ten singles (along with 1990's "Forever", #8) in the US. Beth was named #3 in VH1's 25 Greatest Power Ballads.

The song was a last-minute addition to the Destroyer album. According to Bill Aucoin, the manager of Kiss at that time, Simmons and Stanley did not want "Beth" on the album because it was not a typical Kiss song. Aucoin insisted on keeping the song on the record. During the recording sessions for the song, Criss was the only Kiss member in the studio, making it the only Kiss song that features no instrumental performances by any member of the band. Criss is backed by a piano and a string orchestra, a stark departure from the hard rock-oriented band.

Tavares - Heaven Must Be Missing An Angel - On Anthology Album (1976)

Tavares - Heaven Must Be Missing An Angel - On Anthology Album (1976)
Tavares '70s #1 Hits on WLCY Radio




"Heaven Must Be Missing an Angel" is a disco song written by Freddie Perren and Keni St. Lewis. It was recorded by the American band Tavares in 1976. It was released as a single from the album Sky High! and was split into two parts: the first part was 3 minutes and 28 seconds in length, while the second part was 3 minutes and 10 seconds.

"Heaven Must Be Missing an Angel" reached #15 on the Billboard Hot 100 chart in 1976. It peaked at #3 on the Hot Soul Singles chart. "Heaven Must Be Missing an Angel" spent two weeks at #1 on the Hot Dance Club Play chart. It became the group's only Gold record.

The song would also afford the group an international chart hit, reaching #1 in the Netherlands, and charting in Australia (#30), Canada (#11), the UK (#4), and South Africa (#16).

Al Stewart - Year Of The Cat - On Year Of The Cat Album (1976)

Al Stewart - Year Of The Cat - On Year Of The Cat Album (1976)
Al Stewart '70s #1 Hits on WLCY Radio




"Year of the Cat" is a single by singer-songwriter Al Stewart, released in July 1976. The song is the title track of his 1976 album Year of the Cat, and was recorded at Abbey Road Studios, London in January 1976 by engineer Alan Parsons. The song reached #8 on the Billboard Hot 100 in March 1977. Although Stewart's highest charting single on that chart was 1978's "Time Passages", "Year of the Cat" has remained Stewart's signature recording, receiving regular airplay on both classic rock and folk rock stations.

The track is noted for its lengthy instrumental sections— over four minutes of the 6:40 album version is instrumental, including a long, melodic series of solos that encompasses cello, violin, piano, acoustic guitar, distorted electric guitar, synthesizer and saxophone. The transition from acoustic guitar to electric to saxophone was initiated by Tim Renwick. The acoustic lead is played by Peter White with Tim Renwick then taking the electric lead. Parsons had Phil Kenzie add the saxophone part of the song — and by doing so transformed the original folk concept into the jazz-influenced ballad that put Al Stewart onto the charts.

Shorter versions of the track can be found on some European 7" single formats. Though both of the discs carry the same label and catalogue number (RCA PB 5007), the French single features the A-side track clocking in at 4:30, while the Italian one features an even shorter mix of just 3:30 so that the lengthy instrumental intro is completely missing.

ABBA - Dancing Queen - On Chronicles Album (1976)

ABBA - Dancing Queen - On Chronicles Album (1976)
ABBA '70s #1 Hits on WLCY Radio





"Dancing Queen" is a pop song recorded by Swedish pop group ABBA. It was released in August 1976, and is commonly regarded as one of the most successful singles of the 1970s. In 2011, Rolling Stone listed it as one of the greatest songs of all time.

"Dancing Queen" was written by Benny Andersson, Björn Ulvaeus and Stig Anderson, and features the shared lead vocal performance of Agnetha Fältskog and Anni-Frid Lyngstad. It is considered by many to be one of ABBA's signature songs. "Dancing Queen" was recorded in 1975, and was released on the group's album Arrival the following year. The song was re-released as a single in 1992 to promote the compilation Gold: Greatest Hits.

"Dancing Queen" became a massive worldwide hit, topping the charts in more than a dozen countries including ABBA's native Sweden (where it spent 14 weeks at the top), Australia, Belgium, Brazil, Canada, West Germany, the United Kingdom, Ireland, Mexico, the Netherlands, New Zealand, Norway (where it charted for 32 weeks (VG-lista Top 10), making it the 11th best-performing single of all time in that country), South Africa and Rhodesia. "Dancing Queen" also topped the charts in the United States, ABBA's only #1 on the Billboard Hot 100, and was a Top 5 hit in Austria, Finland, France and Switzerland. The song sold over three million copies.

Rose Royce - Car Wash - On Car Wash Album (1976)

Listen to Rose Royce - Car Wash - On Car Wash Album (1976)
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"Car Wash" is a hit disco song performed by Rose Royce and written and produced by Norman Whitfield. It was the group's debut single and one of the most notable successes of the disco era. Written and produced by the band's main producer Norman Whitfield, "Car Wash", the theme of the 1976 film Car Wash, was Rose Royce's most successful hit single and the lead single from their first album, the Car Wash soundtrack. Reaching number one in the United States on the Billboard pop and R&B charts, "Car Wash" also peaked at number three on the disco charts and reached number nine in the UK singles chart in February 1977. The song was later covered in 2004 by Christina Aguilera and Missy Elliott, who released their version as the single for the Shark Tale soundtrack.

Stevie Wonder - I Wish (1976)

Stevie Wonder - I Wish (1976) on Natural Wonders
Stevie Wonder '70s #1 Hits on WLCY Radio






"I Wish" is a hit song by Stevie Wonder. It was released in 1976 as a single and included on the album Songs in the Key of Life. Written and produced by Wonder, the song focuses on his childhood from the 1950s into the early 1960s. The single hit number one on the Billboard Hot 100 and soul singles chart.

For the television series Classic Albums, Wonder recreated a small section from the song to demonstrate how he composed and arranged it. He played the keyboards and drums himself, and used most of the musicians that appeared on the original recording.

Walter Murphy - A Fifth of Beethoven (Beethoven's Fifth Symphony) (1976)

Walter Murphy - A Fifth of Beethoven (Beethoven's Fifth Symphony) (1976)
 '70s #1 Hits on WLCY Radio




"A Fifth of Beethoven" is a disco instrumental recorded by Walter Murphy and the Big Apple Band. It was adapted by Murphy from the first movement of Beethoven's Fifth Symphony. The record was produced by noted production music and sound effects recording producer Thomas J. Valentino. It was one of the most popular and memorable pieces of music from the disco era. The "Fifth" in the song's title is a pun, referencing a liquid measure approximately equal to one-fifth of a gallon, a popular size for bottles containing hard liquor, as well as Beethoven's Fifth Symphony from which the song was adapted.

The song when released entered the Billboard Hot 100 at number 80 on May 29, 1976, and took 19 weeks to reach number 1, where it stayed for one week becoming Murphy's best known work and his only Top 40 hit. Early in 1977, it was licensed to RSO Records for inclusion on the soundtrack to the movie Saturday Night Fever.

Even though Murphy played nearly every instrument on the instrumental, his record company cautioned that the record would stand a better chance if credited to a group rather than an individual. To Murphy's annoyance, they came up with the name Walter Murphy and the Big Apple Band, only to discover two days after its release that there was already a Big Apple Band. The name on the label was changed to The Walter Murphy Band and then simply to Walter Murphy.

Marilyn McCoo - You Don't Have To Be A Star (To Be In My Show) (1976)

Marilyn McCoo - You Don't Have To Be A Star (To Be In My Show) (1976)
'70s #1 Hits on WLCY Radio




"You Don't Have to Be a Star (To Be in My Show)" is a song by the husband/wife duo of Marilyn McCoo and Billy Davis, Jr., former members of the vocal group The 5th Dimension. Released from their album, I Hope We Get to Love in Time, it became a crossover success soaring to number one on both the Billboard Hot 100 and Hot Soul Singles charts during late 1976 and early 1977. The song also reached #6 on Billboard's Easy Listening chart and #7 on the UK Singles Chart. It would eventually be certified Gold, selling over one million singles, and win them a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. The song features the final studio performance of bassist James Jamerson on a Billboard number one song.

Hall & Oates - Sara Smile (1976)

Hall & Oates - Sara Smile (1976) On WLCY Radio
'70s #1 Hits on WLCY Radio




"Sara Smile" is a song written and recorded by the American musical duo Hall & Oates. It was released in January 1976 as the second single from their album Daryl Hall & John Oates. The song was the group's first Top 10 hit in the US, reaching number four on the Billboard Hot 100.

"Sara Smile" was the second single released from Hall & Oates' 1975 self-titled album for RCA Records. Co-written by both halves of the duo, it was Hall & Oates's breakthrough single, with a #4 peak on the Billboard Hot 100 charts in 1976. It was written about Hall's then-girlfriend, Sara Allen. The couple was together for almost 30 years before breaking up in 2001.

Boz Scaggs - Lowdown (1976)

Boz Scaggs - Lowdown (1976) On WLCY Radio
'70s #1 Hits on WLCY Radio




"Lowdown" is a hit song originally recorded in 1976 by Boz Scaggs for his mainstream-breakthrough album, Silk Degrees. The song was co-written by Scaggs and David Paich. Paich, along with fellow "Lowdown" session musicians David Hungate and Jeff Porcaro, would later help form the band Toto.

Initially, Silk Degrees received a lukewarm commercial response and, similarly, the first single released from the album, "It's Over" just barely cracked the top 40 on the Billboard Pop Singles chart, peaking at #38. One day, however, a Cleveland R&B radio DJ began playing "Lowdown" straight off the album. This was during a time period when DJs had much more say in what got played. Public response was very positive and soon Scaggs' record label, Columbia, sent the song to other R&B-oriented radio stations for airplay. It began receiving airplay on Top 40 Pop stations as well, and when it was officially released as a single in June 1976, it went on to become Scaggs' first major hit, eventually peaking at number three on the Billboard Pop Singles chart. It was also successful on the R&B and Disco Singles charts, peaking at number five on both and was also a minor hit in the UK, reaching #28. Scaggs is quoted as saying that the success of "Lowdown" was 'an accident' and that, even though it was their favorite from Silk Degrees, he and the others involved in the making of the song thought there 'wasn't a chance in hell' that the song would have been released as a single. The single was certified gold by the RIAA for sales of one million copies and would go on to win the Grammy Award for Best R&B song of 1976.

Starland Vocal Band - Afternoon Delight (1976)

Starland Vocal Band - Afternoon Delight (1976) on WLCY Internet Radio
'70s One-Hit Wonders on WLCY Radio The seventies music




"Afternoon Delight" is a song recorded by Starland Vocal Band, featuring close harmony and sexually suggestive wordplay. It was written by Bill Danoff, one of the members of the band. It became a #1 U.S. Hot 100 single on July 10, 1976. It also reached #1 in Canada and peaked at #5 in New Zealand. In Australia it was a #6 hit. (Adelaide radio station 5KA was first to pick up the single, making it #1 in South Australia.) In the UK, it reached #18 and was used as theme to a weekly show of the same title on London's Capital Radio, hosted by Duncan Johnson.

The title came from the happy hour menu at Clyde's restaurant in Georgetown, Washington, D.C., where Bill Danoff was eating with fellow bandmember Margot Chapman while his then-wife Taffy Danoff was undergoing surgery for cervical cancer. Danoff enjoyed writing the song and downplayed the somewhat controversial lyrics, saying, "I didn't want to write an all-out sex song ... I just wanted to write something that was fun and hinted at sex."

Fleetwood Mac - Go Your Own Way (1976)

Fleetwood Mac - Go Your Own Way (1976) on WLCY Radio
WLCY Radio The superseventies Music - '70s Lite Rock




"Go Your Own Way" is a song by the British-American rock band Fleetwood Mac, released as a single in December 1976. Like many of the singles released off of the previous album Fleetwood Mac, "Go Your Own Way" was very successful. The song peaked at No. 10 on the Billboard Hot 100, becoming the group's first top-ten hit in the U.S. In the UK, the single was not as successful, and would only reach No. 38. However, the song became quite popular in the U.K. over a longer period as Rumours received more radio airplay and it re-entered the singles chart on many occasions. This led to the song selling gradually over the years. It has been certified Silver in the U.K. for digital sales of over 200,000 copies. The song also hit the top 40 in many other countries, including the Netherlands, where it hit No. 1.

The Bellamy Brothers - Let Your Love Flow (1976)

The Bellamy Brothers - Let Your Love Flow (1976) on WLCY Radio
WLCY Radio The superseventies Music - '70s Pop Morning




"Let Your Love Flow" is the title of a pop song written by Larry E. Williams, a former roadie for Neil Diamond and made popular by the American country music duo The Bellamy Brothers. Diamond was initially offered the opportunity to record the song, but he declined.

The song was a crossover hit in the United States, reaching Number One on the 1976 Billboard Hot 100 charts, #2 on Hot Adult Contemporary Tracks, and #21 on Hot Country Singles. It was also an international hit, landing on the charts in the UK, Scandinavia and West Germany, where the Bellamy Brothers' record spent five weeks at #1. In 2008, the song re-entered the UK Singles Chart following its appearance in an advertisement in the United Kingdom for Barclaycard, where it peaked at #21.

In other media, it was used in the 1980 Tatum O'Neal film Little Darlings and the 2008 period drama Swingtown.

The song has been covered by numerous other artists, most notably Joan Baez, who included it on her 1979 Honest Lullaby album. Another re-recording by the Bellamy brothers with Gölä is included on the album The Greatest Hits Sessions. "Ein Bett im Kornfeld", a German language adaptation of the song recorded by Jürgen Drews, spent eleven weeks at #1 in West Germany in 1976.

Vicki Sue Robinson - Turn The Beat Around (1976)

Vicki Sue Robinson - Turn The Beat Around (1976) WLCY Radio '70s One-Hit Wonders



"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson and performed by Vicki Sue Robinson in 1976, originally appearing on her debut album, Never Gonna Let You Go. Released as a single, the song went to #10 on the Billboard pop charts, and #73 on the soul chart. Robinson received a Grammy nomination for best female pop vocal. The track went to number one on the disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums.

Wild Cherry - Play That Funky Music (1976)

Wild Cherry - Play That Funky Music (1976) WLCY Radio
WLCY Radio The superseventies Music



"Play That Funky Music" is a song written by Rob Parissi and recorded by the band Wild Cherry. The performers on the classic recording included the members of the band at the time: lead singer Parissi, guitarist Bryan Bassett, bassist Allen Wentz and drummer Ron Beitle, with session horn players Chuck Berginc, Jack Brndiar, Joe Eckert and Rick Singer hired to play the horn riff that runs throughout the track's verses. The single hit number one on the Billboard Hot 100 on September 18, 1976, and was also number one on the Hot Soul Singles chart. The single was certified platinum by the Recording Industry Association of America for shipments of over 2 million records, eventually selling 2.5 million in the United States alone.

The song listed at no. 73 on Billboard's Greatest Songs of All Time.